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How Taylor Swift’s “Look What You Made Me Do (Taylor’s Version)” Ended Up in The Handmaid’s Tale

  • May 23, 2025
  • Alexander Magazine
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Season 6 of The Handmaid’s Tale is filled with emotional farewells and high-stakes confrontations—but one of its most unexpected twists comes from the soundtrack. In Episode 9, released today on Hulu, fans were surprised to hear “Look What You Made Me Do (Taylor’s Version)” blasting during a major turning point: a violent, coordinated strike by June and the Mayday resistance against Gilead’s commanders.

The bold musical cue marks the first time a track from Reputation (Taylor’s Version) has appeared in a television show. It also signals just how closely the themes of Swift’s music—and her re-recording journey—can align with the narrative arcs of complex, feminist stories like The Handmaid’s Tale.

A Swiftie’s Dream Come True

Elisabeth Moss, the show’s lead actress and executive producer, has wanted a Taylor Swift song in the series for years. And this time, she made it happen.

“I’ve been wanting to use a Taylor song for many years on the show and we finally found the perfect spot,” Moss told Billboard. “There could not be a more perfect song for a more perfect moment.”

Moss, who plays the fiercely defiant June Osborne, said the inclusion felt personal. “Taylor has been such an inspiration to me personally. As a Swiftie myself—and I think I can speak for [co-star] Yvonne [Strahovski] and our entire cast—it’s such an honor to be able to use her music in the final episodes of our show.”

The Sound of Revolution

The episode’s editor, Wendy Hallam Martin, deserves much of the credit for pairing Swift’s reimagined track with one of the show’s most intense scenes. Hallam Martin explained to Billboard that she auditioned several songs for this key moment, but nothing matched the energy, power, and lyrical relevance quite like Swift’s.

“In trying many songs for this specific moment and knowing how much Lizzie wanted a strong female voice and message, Taylor was really the artist that delivered both lyrically and tonally,” Hallam Martin said.

The idea clicked instantly.

“When I laid the song up against the scene, it just landed perfectly—rhythmically, thematically, even magically. I shared it with Lizzie and we both knew immediately that this was the one.”

Perfect Timing for a Long-Awaited Re-Recording

While fans still await an official release date for Reputation (Taylor’s Version), this unexpected inclusion of “Look What You Made Me Do (Taylor’s Version)” is a signal that the album rollout is likely imminent.

Swift herself has previously described Reputation as her most misunderstood album—an era marked by theatrical revenge motifs, media scrutiny, and personal transformation. In her 2023 Time Person of the Year profile, she said:

“It’s a goth-punk moment of female rage at being gaslit by an entire social structure. I think a lot of people see it and they’re just like, ‘Sick snakes and strobe lights.’”

In many ways, that same fury and resistance lives in the DNA of The Handmaid’s Tale, especially in its final season as the women of Gilead rise up and reclaim power. The decision to match June’s vengeance with Taylor’s most biting lyrics makes perfect sense in retrospect.

Swift also likened re-recording her albums to building a fantasy universe.

“I’m collecting horcruxes. I’m collecting infinity stones,” she said. “Gandalf’s voice is in my head every time I put out a new one. For me, it is a movie now.”

That cinematic vision now intersects with the world of The Handmaid’s Tale—a story that has always been political, painful, and profoundly female.

What’s Next

As The Handmaid’s Tale heads toward its series finale next Tuesday, this surprise musical moment adds emotional weight and cultural resonance to the show’s climax. Whether or not fans expected it, Swift’s voice was the battle cry June needed—and, clearly, the one Moss and her team had been waiting for.

With Reputation (Taylor’s Version) on the horizon, this could just be the beginning of Taylor Swift’s next era—one where her re-recordings don’t just reclaim the past, but reshape the present.

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