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Royel Otis Apologize for Controversial Lyrics in New Single “Moody”

  • May 28, 2025
  • Alexander Magazine
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Controversial Lyrics Spark Backlash

Australian indie-pop duo Royel Otis have responded to growing criticism over lyrics in their latest single, “moody,” which many have called out as misogynistic.

The track, released May 9, marks the band’s first new release since their acclaimed debut album Pratts & Pain in 2024. Written by band members Royel Maddell and Otis Pavlovic alongside Grammy-winning songwriter Amy Allen, the song includes the lyric, “My girl’s a b–ch when she’s moody,” which quickly drew fire on social media and music forums.

In a brief press release issued with the song, the group provided minimal context, describing the track only as “a song about a girl”—a phrase echoed on the cover artwork. But for many listeners, that wasn’t enough to explain or justify the choice of words in the chorus.

Social Media Response and Allegations of Censorship

Shortly after the track’s release, listeners began expressing concern about the implications of the lyrics. Critics accused the song of reinforcing sexist tropes and contributing to the normalization of derogatory language toward women.

According to a report by Australian outlet news.com.au, a former school friend of Otis Pavlovic alleged that the band had been actively deleting social media comments that questioned or condemned the lyrics. “They’re only responding to the positive ones,” the source claimed. “In 2025, it’s disheartening to hear a local Australian artist – someone I know or I knew – casually refer to women as ‘b–ches’ in their lyrics.”

The accusation of selectively moderating responses only intensified the criticism. Several fans called for accountability and demanded that the group clarify the intent behind the lyrics.

Band Issues Statement of Clarification and Apology

In response to the backlash, Royel Otis issued a statement via Kay and Hughes Art and Entertainment Lawyers. The duo said the lyrics were not meant to generalize or demean women but rather to express a specific narrative point of view.

“This song is written from a specific perspective; it is not intended to convey a broader view or standpoint about women in general,” the statement read. “We apologise if anyone understood those lyrics otherwise.”

While the band did not indicate plans to edit or remove the song, the apology appears to acknowledge how the lyrics may have been interpreted by parts of their audience.

Success Despite Controversy

Despite the controversy, “moody” has seen commercial success. The track is charting well in Australia and streaming internationally as Royel Otis continues to ride a wave of popularity following their 2024 breakout year.

The duo gained widespread recognition after their dreamy cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor” went viral as part of triple j’s Like a Version series. The song topped the Alternative Airplay charts and brought international attention to the pair, who had previously built a strong fanbase through a series of EPs released between 2021 and 2023.

Their SiriusXM performance of The Cranberries’ “Linger” marked their first appearance on the Billboard Hot 100, peaking at No. 94 and helping cement their reputation for emotional, atmospheric covers.

Award Wins and Upcoming Tour

In late 2024, Royel Otis took home four ARIA Awards out of eight nominations, including honors for Best Group and Best Rock Album. Their producer, Chris Collins, also won Best Produced Release and Best Engineered Release for Pratts & Pain.

Most recently, the band completed two sold-out shows at the iconic Troubadour venue in Los Angeles. In light of their growing U.S. fanbase, Royel Otis announced a fall tour titled Meet Me in the Car, set to begin in September with additional North American dates in October.

Moving Forward Amid Scrutiny

While Royel Otis have expressed regret over how the lyrics were received, many fans and commentators are watching closely to see how the band will move forward. In a musical landscape that increasingly values accountability and social awareness, the duo’s next steps—whether through public dialogue, lyrical reflection, or more transparent communication—could shape their long-term reputation.

For now, “moody” remains on streaming platforms, and Royel Otis continue to promote their new era of music. Whether the controversy will linger or fade with time remains to be seen.

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