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Review: ‘The Book of Clarence’ Takes A Leap Of Faith

  • February 16, 2024
  • Alexander Magazine
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The Film Directed By Jeymes Samuel Has Been At The Center Of Controversy

Clarence is a thug living in Jerusalem in 33 AD. He is finding it increasingly difficult to support his family and pay off his many debts. Suddenly, Clarence has the idea of capitalizing on the popularity of Jesus of Nazareth and pretends to be a new Messiah sent by God. It’s not long before he discovers that faith and redemption are his only savior.

The film was released in January 2024. It was directed by Jeymes Samuel (who is openly Christian and very faithful, by the way) and produced by him and Jay-Z. Since the trailer was released, The Book of Clarence has been the target of accusations of blasphemy and disrespect towards God and religion. For the director, “it’s conversation. I like the smoke. Let’s talk”, he told The Hollywood Reporter.

Lakeith Stanfield plays clarence.

Review ★★★☆☆

Somewhere between Ben Hur and The Life of Brian, Samuel delivers what many have mistaken for a satire on religion. The Book of Clarence does not mock; it represents the same values. More than a story about Jesus, it’s a tale of forgiveness and self-identity.

The approach used is unusual, in the good sense of the word. The film constantly brings these ideas home to us through references, both in sound and vision. There are some good gags, a modern and effective soundtrack, and a dance number. The actors are all from the African diaspora (except those playing the Romans) and all use their own different accents. Although The Book of Clarence is technically set in 33 AD, it is ultimately very close to our era.

Lakeith Stanfield and Alfre Woodard as mother mary.
Lakeith Stanfield and Anna Diop as varinia.

Good ideas, excellent performances from the actors, and an original art direction don’t quite manage to make the film work. The comedy-drama-peplum mix doesn’t always work. Between the more serious, even violent elements and the more light-hearted jokes, the film sometimes struggles to find its voice. It’s a shame, really.

It’s not easy to imagine God. Nor Jesus Christ or what life was like in Jerusalem at the time. The character of Clarence serves as a mechanism to bring us closer to this reality. For Jeymes Samuel, He is more than a celestial and divine entity. God —faith, hope, redemption, self-acceptance and love of neighbour– is in all of us, no matter how ordinary or mischievous we may be.

CREDITS: Malena Cortizo A.

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